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| Topic: Add a famous movie quote :) | |
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“you talking to me?...you talking to …me?”
“loneliness has followed me my whole life, everywhere. in bars, in cars, sidewalks, stores, everywhere. there's no escape. i'm God's lonely man.” Robert DeNiro Taxi Driver |
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I have an M.D. from Harvard, I am board certified in cardio-thoracic medicine and trauma surgery, I have been awarded citations from seven different medical boards in New England, and I am never, ever sick at sea. So I ask you; when someone goes into that chapel and they fall on their knees and they pray to God that their wife doesn't miscarry or that their daughter doesn't bleed to death or that their mother doesn't suffer acute neural trauma from postoperative shock, who do you think they're praying to? Now, go ahead and read your Bible, _Dennis_, and you go to your church, and, with any luck, you might win the annual raffle, but if you're looking for God, he was in operating room number two on November 17, and he doesn't like to be second guessed. You ask me if I have a God complex. Let me tell you something: I am God.
-Alec Baldwin as Dr. Jed Hill in "Malice" 1993. |
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Well, art is art, isn't it? Still, on the other hand, water is water! And east is east and west is west and if you take cranberries and stew them like applesauce they taste much more like prunes than rhubarb does. Now, uh... now you tell me what you know. (Animal Crackers) Remember men, we're fighting for this woman's honour; which is probably more than she ever did. (Duck Soup) While shooting elephants in Africa, I found the tusks very difficult to remove. But in Alabama, the Tuscaloosa...(Animal Crackers) Groucho Marx  I've had a perfectly wonderful evening.... But this wasn't it. I never forget a face, but in your case I'll be glad to make an exception. From the moment I picked up your book until I laid it down, I was convulsed with laughter.... Some day I intend on reading it. Those are my principles, and if you don't like them... well, I have others. Time flies like an arrow. Fruit flies like a banana. He may look like an idiot and talk like an idiot but don't let that fool you. He really is an idiot.  =-=-=-=-=-=-= from A Night At the Opera... Here are the contracts. You just put his name at the top, and you sign at the bottom. No need of you reading that because these are duplicates. Yeah. Is a duplicate. - Duplicates? - I say, they're duplicates. - Don't you know what duplicates are? - Sure, those five kids up in Canada. I wouldn't know about that. I haven't been in Canada in years. Go ahead and read it. - What does it say? - Go on and read it. - You read it. - All right, I'll read it to you. - Can you hear? - I haven't heard anything yet. - You say anything? - I haven't said anything worth hearing. That's why I didn't hear anything. That's why I didn't say anything. - Can you read? - I can read, but I can't see it. Don't seem to have it in focus here. If my arms were a little longer, I could read it. You haven't got a baboon in your pocket, have you? Here we are. Now I've got it. Pay particular attention to this first clause because it's most important. It says, "The party of the first part shall be known in this contract... "as the party of the first part." How do you like that? That's pretty neat, eh? No, it's no good. - What's the matter with it? - I don't know. Let's hear it again. "The party of the first part shall be known in this contract... "as the party of the first part." Sounds a little better this time. It grows on you. Would you like to hear it once more? Just the first part. What? "The party of the first part"? No. The first part of "the party of the first part." It says, "The first part of the party of the first part... "shall be known in this contract as the first part of the party... "Shall be known in this contract..." Why should we quarrel about this? We'll take it out. Yeah. It's too long anyhow. Now what do we got left? I got about a foot and a half. It says, "The party of the second part shall be known in this contract... "as the party of the second part." I don't know about that. - Now what's the matter? - I don't like the second party either. You should have come to the first party. We didn't get home till around : a.m. I was blind for three days. Why can't the first part of the second party... be the second part of the first party? Then you got something. Look, rather than go through that again, what do you say... Fine. I've got something you're bound to like. You'll be crazy about it. No. I don't like it. - You don't like what? - Whatever it is, I don't like it. Don't let's break up an old friendship over a thing like that. Ready? Okay. The next part, I don't think you're going to like. Your word's good enough for me. Is my word good enough for you? - I should say not. - That takes out two more clauses. - "The party of the eighth part..." - No, that's no good. - "The party of the ninth..." - No, that's no good, too. How is it my contract is skinnier than yours? I don't know, you must have been out on a tear last night. - We're all set now, aren't we? - Sure. Just you put your name down there, and then the deal is legal. I forgot to tell you, I can't write. That's all right, there's no ink in the pen. - But it's a contract, isn't it? - Sure. We've got a contract, no matter how small it is. Wait. What does this say here? That? That's the usual clause. That's in every contract. That just says, "If any of the parties... "participating in this contract... "are shown not to be in their right mind... "the entire agreement is automatically nullified." I don't know. It's all right. That's in every contract. That's what they call a sanity clause. You can't fool me. There ain't no Sanity Claus. You win the white carnation. =-=-=-=-=-=-= from Animal Crackers... Spaulding: What do you fellas get an hour? Ravelli: For playing, we get-a ten dollars an hour. Spaulding: I see. What do you get for not playing? Ravelli: Twelve dollars an hour. Spaulding: Well, clip me off a piece of that. Ravelli: Now for rehearsing, we make special rate. That's-a fifteen dollars an hour...That's-a for rehearsing. Spaulding: And what do you get for not rehearsing? Ravelli: You couldn't afford it. You see, if we don't rehearse, we a-don't play, and if we don't play [he snaps his finger] - that runs into money. Spaulding: How much would you want to run into an open manhole? Ravelli: Just-a the cover charge! Ha, ha, ha. Spaulding: Well, drop in some time. Ravelli: Sewer. Spaulding: Well, we cleaned that up pretty well. Ravelli: Well, let's see how-a we stand. Spaulding: Flat-footed. Ravelli: Yesterday, we didn't come. [To Mrs. Rittenhouse] You remember, yesterday we didn't come? Spaulding: Oh, I remember. Ravelli: Yes, that's three hundred dollars. Spaulding: Yesterday, you didn't come, that's three hundred dollars? Ravelli: Yes, three hundred dollars. Spaulding: Well, that's reasonable. I can see that alright. Ravelli: Now today, we did come. That's-a [pause].. Spaulding: That's a hundred you owe us. Ravelli: Hey, I bet I'm gonna lose on the deal. Tomorrow we leave. That's worth about... Spaulding:One million dollars.
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Well, art is art, isn't it? Still, on the other hand, water is water! And east is east and west is west and if you take cranberries and stew them like applesauce they taste much more like prunes than rhubarb does. Now, uh... now you tell me what you know. (Animal Crackers) Remember men, we're fighting for this woman's honour; which is probably more than she ever did. (Duck Soup) While shooting elephants in Africa, I found the tusks very difficult to remove. But in Alabama, the Tuscaloosa...(Animal Crackers) Groucho Marx I've had a perfectly wonderful evening.... But this wasn't it. I never forget a face, but in your case I'll be glad to make an exception. From the moment I picked up your book until I laid it down, I was convulsed with laughter.... Some day I intend on reading it. Those are my principles, and if you don't like them... well, I have others. Time flies like an arrow. Fruit flies like a banana. He may look like an idiot and talk like an idiot but don't let that fool you. He really is an idiot. =-=-=-=-=-=-= from A Night At the Opera... Here are the contracts. You just put his name at the top, and you sign at the bottom. No need of you reading that because these are duplicates. Yeah. Is a duplicate. - Duplicates? - I say, they're duplicates. - Don't you know what duplicates are? - Sure, those five kids up in Canada. I wouldn't know about that. I haven't been in Canada in years. Go ahead and read it. - What does it say? - Go on and read it. - You read it. - All right, I'll read it to you. - Can you hear? - I haven't heard anything yet. - You say anything? - I haven't said anything worth hearing. That's why I didn't hear anything. That's why I didn't say anything. - Can you read? - I can read, but I can't see it. Don't seem to have it in focus here. If my arms were a little longer, I could read it. You haven't got a baboon in your pocket, have you? Here we are. Now I've got it. Pay particular attention to this first clause because it's most important. It says, "The party of the first part shall be known in this contract... "as the party of the first part." How do you like that? That's pretty neat, eh? No, it's no good. - What's the matter with it? - I don't know. Let's hear it again. "The party of the first part shall be known in this contract... "as the party of the first part." Sounds a little better this time. It grows on you. Would you like to hear it once more? Just the first part. What? "The party of the first part"? No. The first part of "the party of the first part." It says, "The first part of the party of the first part... "shall be known in this contract as the first part of the party... "Shall be known in this contract..." Why should we quarrel about this? We'll take it out. Yeah. It's too long anyhow. Now what do we got left? I got about a foot and a half. It says, "The party of the second part shall be known in this contract... "as the party of the second part." I don't know about that. - Now what's the matter? - I don't like the second party either. You should have come to the first party. We didn't get home till around : a.m. I was blind for three days. Why can't the first part of the second party... be the second part of the first party? Then you got something. Look, rather than go through that again, what do you say... Fine. I've got something you're bound to like. You'll be crazy about it. No. I don't like it. - You don't like what? - Whatever it is, I don't like it. Don't let's break up an old friendship over a thing like that. Ready? Okay. The next part, I don't think you're going to like. Your word's good enough for me. Is my word good enough for you? - I should say not. - That takes out two more clauses. - "The party of the eighth part..." - No, that's no good. - "The party of the ninth..." - No, that's no good, too. How is it my contract is skinnier than yours? I don't know, you must have been out on a tear last night. - We're all set now, aren't we? - Sure. Just you put your name down there, and then the deal is legal. I forgot to tell you, I can't write. That's all right, there's no ink in the pen. - But it's a contract, isn't it? - Sure. We've got a contract, no matter how small it is. Wait. What does this say here? That? That's the usual clause. That's in every contract. That just says, "If any of the parties... "participating in this contract... "are shown not to be in their right mind... "the entire agreement is automatically nullified." I don't know. It's all right. That's in every contract. That's what they call a sanity clause. You can't fool me. There ain't no Sanity Claus. You win the white carnation. =-=-=-=-=-=-= from Animal Crackers... Spaulding: What do you fellas get an hour? Ravelli: For playing, we get-a ten dollars an hour. Spaulding: I see. What do you get for not playing? Ravelli: Twelve dollars an hour. Spaulding: Well, clip me off a piece of that. Ravelli: Now for rehearsing, we make special rate. That's-a fifteen dollars an hour...That's-a for rehearsing. Spaulding: And what do you get for not rehearsing? Ravelli: You couldn't afford it. You see, if we don't rehearse, we a-don't play, and if we don't play [he snaps his finger] - that runs into money. Spaulding: How much would you want to run into an open manhole? Ravelli: Just-a the cover charge! Ha, ha, ha. Spaulding: Well, drop in some time. Ravelli: Sewer. Spaulding: Well, we cleaned that up pretty well. Ravelli: Well, let's see how-a we stand. Spaulding: Flat-footed. Ravelli: Yesterday, we didn't come. [To Mrs. Rittenhouse] You remember, yesterday we didn't come? Spaulding: Oh, I remember. Ravelli: Yes, that's three hundred dollars. Spaulding: Yesterday, you didn't come, that's three hundred dollars? Ravelli: Yes, three hundred dollars. Spaulding: Well, that's reasonable. I can see that alright. Ravelli: Now today, we did come. That's-a [pause].. Spaulding: That's a hundred you owe us. Ravelli: Hey, I bet I'm gonna lose on the deal. Tomorrow we leave. That's worth about... Spaulding:One million dollars. oh man you just can't beat groucho |
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No one puts baby in a corner~
Dirty dancing |
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why are you doing this to us?
because you were home. preview for new movie coming out The Strangers |
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I'll make you famous. "Young Guns"
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Edited by
notmytimeline20x6
on
Sun 04/27/08 11:38 PM
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" When I was a little girl, I used to pretend that I was a mermaid. " (Darryl Hanna)
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"If u work 4 a living, then why do u kill urself working?"
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bruce willis: what about us ,ving rhames their is no us not no more not after this bruce willis: what about this ving rhames the only people that need to know about this r u me and this soon to be dead mfer over here.
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elliot why am i talking to you on sunday its not enough i have 2 listen 2 u 6 days now im talking to you on sunday
true romance |
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you walk in here like u aint got a care in the world and who knows maybe u dont
true romance |
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you had me at hello
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you had me at hello tom cruise |
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" I was born a poor black child...."
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you live you die the person with the most money wins
danny devito other peoples money |
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Edited by
whereuat85
on
Mon 04/28/08 12:39 PM
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what kind of clown are you
the crying on the inside kind i guess bill murray quick change |
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You mean Im always gonna stay this color??
Steve Martin, The Jerk |
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"Tell her I got my G.E.D when I was 15"
(The other girl) "What is with the captions? I am not a mute I am standing right here!! So you got your G.E.D, what does drunk driving have to do with school??" "From the movie Stick it"  |
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"Why do you hate me so much? How could you tell the one person that I love the one person who means the world to me to stay away from me?" "Crazy Beautiful"
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