Topic: Creative Writers. Besides Yourself. | |
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Any favorites?
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OMG!! I love that poem! I quote it often.
Love the whole silverstein collection but that's my fave. |
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A Man may make a Remark
by Emily Dickinson ------------------------------------- A Man may make a Remark— In itself—a quiet thing That may furnish the Fuse unto a Spark In dormant nature—lain— Let us deport—with skill— Let us discourse—with care— Powder exists in Charcoal— Before it exists in Fire. ------------------------- I hope Poetry counts :-) |
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Me too Ruth, he's my fav
Thanks for that Soufie. I love your selection |
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It's a long one...
Childe Roland To The Dark Tower Came - Robert Browning (this poem was Stephen King's inspiration to write his Dark Tower series) I. My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the working of his lie On mine, and mouth scarce able to afford Suppression of the glee, that pursed and scored Its edge, at one more victim gained thereby. II. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare, III. If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly I did turn as he pointed: neither pride Nor hope rekindling at the end descried, So much as gladness that some end might be. IV. For, what with my whole world-wide wandering, What with my search drawn out thro' years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. V. As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bid the other go, draw breath Freelier outside, (``since all is o'er,'' he saith, ``And the blow falIen no grieving can amend;'') VI. While some discuss if near the other graves Be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves: And still the man hears all, and only craves He may not shame such tender love and stay. VII. Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among ``The Band''---to wit, The knights who to the Dark Tower's search addressed Their steps---that just to fail as they, seemed best, And all the doubt was now---should I be fit? VIII. So, quiet as despair, I turned from him, That hateful cripple, out of his highway Into the path he pointed. All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. IX. For mark! no sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backward a last view O'er the safe road, 'twas gone; grey plain all round: Nothing but plain to the horizon's bound. I might go on; nought else remained to do. X. So, on I went. I think I never saw Such starved ignoble nature; nothing throve: For flowers---as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind, with none to awe, You'd think; a burr had been a treasure-trove. XI. No! penury, inertness and grimace, In some strange sort, were the land's portion. ``See ``Or shut your eyes,'' said nature peevishly, ``It nothing skills: I cannot help my case: ``'Tis the Last judgment's fire must cure this place, ``Calcine its clods and set my prisoners free.'' XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped; the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness?'tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupefied, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I know, With that red gaunt and colloped neck a-strain, And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart. As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards---the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm in mine to fix me to the place, That way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour---there he stands Frank as ten years ago when knighted first. What honest man should dare (he said) he durst. Good---but the scene shifts---faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that; Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof---to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of route despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded,---good saints, how I feared To set my foot upon a dead man's cheek, Each step, or feel the spear I thrust to seek For hollows, tangled in his hair or beard! ---It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank Soil to a plash? Toads in a poisoned tank, Or wild cats in a red-hot iron cage--- XXIII. The fight must so have seemed in that fell cirque. What penned them there, with all the plain to choose? No foot-print leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews. XXIV. And more than that---a furlong on---why, there! What bad use was that engine for, that wheel, Or brake, not wheel---that harrow fit to reel Men's bodies out like silk? with all the air Of Tophet's tool, on earth left unaware, Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh, it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood--- Bog, clay and rubble, sand and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Nought in the distance but the evening, nought To point my footstep further! At the thought, great black bird, Apollyon's bosom-friend, Sailed past, nor beat his wide wing dragon-penned That brushed my cap---perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, 'Spite of the dusk, the plain had given place All round to mountains---with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me,---solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognize some trick Of mischief happened to me, God knows when--- In a bad dream perhaps. Here ended, then, Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts---you're inside the den! XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left, a tall scalped mountain... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counter-part In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps?---why, day Came back again for that! before it left, The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay,--- ``Now stab and end the creature---to the heft!'' XXXIII. Not hear? when noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers my peers,--- How such a one was strong, and such was bold, And such was fortunate, yet, each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hill-sides, met To view the last of me, a living frame For one more picture! in a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. ``Childe Roland to the Dark Tower came.'' |
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Me too Ruth, he's my fav Thanks for that Soufie. I love your selection |
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Torgo, I have read King's Dark Tower books and I can definitely see the correlation. Thank you for posting that, I'd never read it before.
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Torgo, I have read King's Dark Tower books and I can definitely see the correlation. Thank you for posting that, I'd never read it before. I thought it was a nice touch that he included the poem in the final book, at least in the version I have did at the end. Love the Dark Tower books. |
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To his Coy Mistress
by Andrew Marvell Had we but world enough, and time, This coyness, lady, were no crime. We would sit down and think which way To walk, and pass our long love's day; Thou by the Indian Ganges' side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the Flood; And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires, and more slow. An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time's winged chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found, Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long preserv'd virginity, And your quaint honour turn to dust, And into ashes all my lust. The grave's a fine and private place, But none I think do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may; And now, like am'rous birds of prey, Rather at once our time devour, Than languish in his slow-chapp'd power. Let us roll all our strength, and all Our sweetness, up into one ball; And tear our pleasures with rough strife Thorough the iron gates of life. Thus, though we cannot make our sun Stand still, yet we will make him run. |
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I love this Motown.
Teasing and coy and sensual. It's like he is telling her they better get it on before they die, cause then it will be too late. But insists he will spend hundreds of thousands of years just adoring her body. Thanks |
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I love this one, Dylan Thomas
Do not go gentle into that good night, Old age should burn and rage at close of day; Rage, rage against the dying of the light. Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light. Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night. Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light. And you, my father, there on the sad height, Curse, bless me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light. |
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Fern Hill
by Dylan Thomas Now as I was young and easy under the apple boughs About the lilting house and happy as the grass was green, The night above the dingle starry, Time let me hail and climb Golden in the heydays of his eyes, And honoured among wagons I was prince of the apple towns And once below a time I lordly had the trees and leaves Trail with daisies and barley Down the rivers of the windfall light. And as I was green and carefree, famous among the barns About the happy yard and singing as the farm was home, In the sun that is young once only, Time let me play and be Golden in the mercy of his means, And green and golden I was huntsman and herdsman, the calves Sang to my horn, the foxes on the hills barked clear and cold, And the sabbath rang slowly In the pebbles of the holy streams. All the sun long it was running, it was lovely, the hay Fields high as the house, the tunes from the chimneys, it was air And playing, lovely and watery And fire green as grass. And nightly under the simple stars As I rode to sleep the owls were bearing the farm away, All the moon long I heard, blessed among stables, the nightjars Flying with the ricks, and the horses Flashing into the dark. And then to awake, and the farm, like a wanderer white With the dew, come back, the **** on his shoulder: it was all Shining, it was Adam and maiden, The sky gathered again And the sun grew round that very day. So it must have been after the birth of the simple light In the first, spinning place, the spellbound horses walking warm Out of the whinnying green stable On to the fields of praise. And honoured among foxes and pheasants by the gay house Under the new made clouds and happy as the heart was long, In the sun born over and over, I ran my heedless ways, My wishes raced through the house high hay And nothing I cared, at my sky blue trades, that time allows In all his tuneful turning so few and such morning songs Before the children green and golden Follow him out of grace, Nothing I cared, in the lamb white days, that time would take me Up to the swallow thronged loft by the shadow of my hand, In the moon that is always rising, Nor that riding to sleep I should hear him fly with the high fields And wake to the farm forever fled from the childless land. Oh as I was young and easy in the mercy of his means, Time held me green and dying Though I sang in my chains like the sea. |
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Thanks Sunny and Plastic
I'm now a fan of Dylan Thomas too. |
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Edited by
Torgo70
on
Fri 08/27/10 12:10 PM
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The Fairies
by William Allingham Up the airy mountain Down the rushy glen, We daren't go a-hunting, For fear of little men; Wee folk, good folk, Trooping all together; Green jacket, red cap, And white owl's feather. Down along the rocky shore Some make their home, They live on crispy pancakes Of yellow tide-foam; Some in the reeds Of the black mountain-lake, With frogs for their watch-dogs, All night awake. High on the hill-top The old King sits; He is now so old and gray He's nigh lost his wits. With a bridge of white mist Columbkill he crosses, On his stately journeys From Slieveleague to Rosses; Or going up with music, On cold starry nights, To sup with the Queen, Of the gay Northern Lights. They stole little Bridget For seven years long; When she came down again Her friends were all gone. They took her lightly back Between the night and morrow; They thought she was fast asleep, But she was dead with sorrow. They have kept her ever since Deep within the lake, On a bed of flag leaves, Watching till she wake. By the craggy hill-side, Through the mosses bare, They have planted thorn trees For pleasure here and there. Is any man so daring As dig them up in spite? He shall find the thornies set In his bed at night. Up the airy mountain Down the rushy glen, We dare n't go a-hunting, For fear of little men; Wee folk, good folk, Trooping all together; Green jacket, red cap, And white owl's feather. This passage: "Up the airy mountain/Down the rushing glen/You never can go hunting/For fear of little men," is recited by a creepy old lady in the early 70's horror flick- Don't Look In The Basement. The old lady's last name is Callingham(Just one letter different than the poem's author) |
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Litany by Billy Collins
You are the bread and the knife, the crystal goblet and the wine. You are the dew on the morning grass and the burning wheel of the sun. You are the white apron of the baker, and the marsh birds suddenly in flight. However, you are not the wind in the orchard, the plums on the counter, or the house of cards. And you are certainly not the pine-scented air. There is just no way that you are the pine-scented air. It is possible that you are the fish under the bridge, maybe even the pigeon on the general's head, but you are not even close to being the field of cornflowers at dusk. And a quick look in the mirror will show that you are neither the boots in the corner nor the boat asleep in its boathouse. It might interest you to know, speaking of the plentiful imagery of the world, that I am the sound of rain on the roof. I also happen to be the shooting star, the evening paper blowing down an alley and the basket of chestnuts on the kitchen table. I am also the moon in the trees and the blind woman's tea cup. But don't worry, I'm not the bread and the knife. You are still the bread and the knife. You will always be the bread and the knife, not to mention the crystal goblet and--somehow--the wine. |
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Wonderwall - Noel Gallagher (Oasis)
http://www.youtube.com/watch?v=6hzrDeceEKc Today is gonna be the day that they're gonna throw it back to you By now you shoulda, somehow, realized what you gotta do I don't believe that anybody feels the way I do about you now Back beat, the word is on the street that the fire in your heart is out I'm sure you've heard it all before but you never really had a doubt I don't believe that anybody feels the way I do about you now And all the roads we have to walk are winding And all the lights that lead us there are blinding There are many things that I would like to say to you But I don't know how Because maybe You're gonna be the one that saves me And after all You're my wonderwall Today was gonna be the day but they'll never throw it back to you By now you shoulda somehow realized what you're not to do I don't believe that anybody feels the way I do about you now And all the roads that lead you there were winding And all the lights that light the way are blinding There are many things that I would like to say to you But I don't know how I said maybe You're gonna be the one that saves me And after all You're my wonderwall I said maybe You're gonna be the one that saves me And after all You're my wonderwall I said maybe You're gonna be the one that saves me You're gonna be the one that saves me You're gonna be the one that saves me |
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Edited by
FearandLoathing
on
Fri 08/27/10 04:07 PM
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Travis Barker (doesn't write lyrics, but does compose some massively awesome drum beats).
http://www.youtube.com/watch?v=vPSj-yjwoOo R.I.P DJ AM. |
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Where is my Mind - Black Francis (Pixies)
http://www.youtube.com/watch?v=RCD14IrOcIs Oh - stop With your feet in the air and your head on the ground Try this trick and spin it, yeah Your head will collapse But there's nothing in it And you'll ask yourself Where is my mind [3x] Way out in the water See it swimmin' I was swimmin' in the Caribbean Animals were hiding behind the rocks Except the little fish But they told me, he swears Tryin' to talk to me, coy koi. Where is my mind [3x] Way out in the water See it swimmin' ? With your feet in the air and your head on the ground Try this trick and spin it, yeah Your head will collapse If there's nothing in it And you'll ask yourself Where is my mind [3x] Oh With your feet in the air and your head on the ground Oh Try this trick and spin it, yeah Oh Oh |
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Where Once Poe Walked
by H. P. Lovecraft Eternal brood the shadows on this ground, Dreaming of centuries that have gone before; Great elms rise solemnly by slab and mound, Arched high above a hidden world of yore. Round all the scene a light of memory plays, And dead leaves whisper of departed days, Longing for sights and sounds that are no more. Lonely and sad, a specter glides along Aisles where of old his living footsteps fell; No common glance discerns him, though his song Peals down through time with a mysterious spell. Only the few who sorcery's secret know, Espy amidst these tombs the shade of Poe. |
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John Lennon
Imagine there's no Heaven It's easy if you try No hell below us Above us only sky Imagine all the people Living for today Imagine there's no countries It isn't hard to do Nothing to kill or die for And no religion too Imagine all the people Living life in peace You may say that I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will be as one Imagine no possessions I wonder if you can No need for greed or hunger A brotherhood of man Imagine all the people Sharing all the world You may say that I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will live as one |
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