Post you're favorite or Worst Alfred Hitchcock's movie and why do you feel like its bad.
My favorites are Psycho, Vertigo, North by Northwest and rear window
Worst The trouble with Harry: The whole story doesn't add up LOL story seems to be very weak so i didn't watch the whole movie .

I think The Trouble With Harry is an excellent dark comedy, something Hitchcock excelled at. Some of my other favorites of his- Psycho, The Birds, North By Northwest, Rear Window, Dial M for Murder, Strangers On A Train, Rope, The Lady Vanishes.

My favorite is " The Rope " & then "Rebecca "

I can't think of any I don't like. However he did make a WW2 documentry that I have not seen.

http://www.independent.co.uk/arts-entertainment/films/features/alfred-hitchcocks-unseen-holocaust-documentary-to-be-screened-9044945.html/

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Alfred Hitchcock

Born, Alfred Joseph Hitchcock
13 August 1899
Leytonstone, Essex, England
Died 29 April 1980 (aged 80)
Bel Air, California, United States
Other names Hitch, the Master of Suspense
Alma mater
Salesian College, London
St Ignatius' College, Enfield
Occupation Director, producer
Years active 1921–76
Religion Roman Catholic[1]
Spouse(s) Alma Reville (m. 1926–80; his death)
Children Patricia Hitchcock
Sir Alfred Joseph Hitchcock, KBE (13 August 1899 – 29 April 1980)[2] was an English film director and producer.[3] Often nicknamed "The Master of Suspense",[4] he pioneered many elements of the suspense and psychological thriller genres. After a successful career in British cinema with both silent films and early talkies, Hitchcock moved to Hollywood in 1939[5] and became a US citizen in 1955.

Over a career spanning half a century, Hitchcock fashioned for himself a recognisable directorial style.[6] His stylistic trademarks include the use of camera movement that mimics a person's gaze, forcing viewers to engage in a form of voyeurism.[7] In addition, he framed shots to maximise anxiety, fear, or empathy, and used innovative forms of film editing.[7] His work often features fugitives on the run alongside "icy blonde" female characters.[8][9] Many of Hitchcock's films have twist endings and thrilling plots featuring depictions of murder and other violence. Many of the mysteries, however, are used as decoys or "MacGuffins" that serve the films' themes and the psychological examinations of their characters. Hitchcock's films also borrow ma_
Along with Walt Disney, Hitchcock was among the first prominent motion picture producers to fully envisage just how popular the medium of television would become. From 1955 to 1965, Hitchcock was the host of the television series titled Alfred Hitchcock Presents.[132] While his films had made Hitchcock's name strongly associated with suspense, the TV series made Hitchcock a celebrity himself. His irony-tinged voice and signature droll delivery, gallows humour, iconic image and mannerisms became instantly recognisable and were often the subject of parody.

The title-sequence of the show pictured a minimalist caricature of Hitchcock's profile (he drew it himself; it is composed of only nine strokes), which his real silhouette then filled. His introductions before the stories in his program always included some sort of wry humour, such as the description of a recent multi-person execution hampered by having only one electric chair, while two are now shown with a sign "Two chairs—no waiting!". He directed 18 episodes of the TV series himself, which aired from 1955 to 1965 in two versions. It became The Alfred Hitchcock Hour in 1962.

The series theme tune was Funeral March of a Marionette, by the French composer Charles Gounod (1818–1893),[133][134] the composer of the 1859 opera Faust. The composer Bernard Herrmann suggested the music be used. Arthur Fiedler and the Boston Pops Orchestra included the piece on one of their extended play 45-rpm discs for RCA Victor during the 1950s.

In the 1980s, a new version of Alfred Hitchcock Presents was produced for television, making use of Hitchcock's original introductions in a colourised form.

Hitchcock appears as a character in the popular juvenile detective book series, Alfred Hitchcock and the Three Investigators. The long-running detective series was created by Robert Arthur, who wrote the first several books, although other authors took over after he left the series. The Three Investigators—Jupiter Jones, Bob Andrews and Peter Crenshaw—were amateur detectives, slightly younger than the Hardy Boys. In the introduction to each book, "Alfred Hitchcock" introduces the mystery, and he sometimes refers a case to the boys to solve. At the end of each book, the boys report to Hitchcock, and sometimes give him a memento of their case.

At the height of Hitchcock's success, he was also asked to introduce a set of books with his name attached. The series was a collection of short stories by popular short-story writers, primarily focused on suspense and thrillers. These titles included Alfred Hitchcock's Anthology, Alfred Hitchcock Presents: Stories to be Read with the Door Locked, Alfred Hitchcock's Monster Museum, Alfred Hitchcock's Supernatural Tales of Terror and Suspense, Alfred Hitchcock's Spellbinders in Suspense, Alfred Hitchcock's Witch's Brew, Alfred Hitchcock's Ghostly Gallery, Alfred Hitchcock's A Hangman's Dozen, Alfred Hitchcock's Stories Not For the Nervous and Alfred Hitchcock's Haunted Houseful. Hitchcock himself was not actually involved in the reading, reviewing, editing or selection of the short stories; in fact, even his introductions were ghost-written. The entire extent of his involvement with the project was to lend his name and collect a cheque.

Some notable writers whose works were used in the collection include Shirley Jackson (Strangers in Town, The Lottery), T. H. White (The Once and Future King), Robert Bloch, H. G. Wells (The War of the Worlds), Robert Louis Stevenson, Sir Arthur Conan Doyle, Mark Twain and the creator of The Three Investigators, Robert Arthur. In a similar manner, Hitchcock's name was licensed for a digest-sized monthly, Alfred Hitchcock's Mystery Magazine, which has been published since 1956.

Hitchcock also wrote a mystery story for Look magazine in 1943, "The Murder of Monty Woolley". This was a sequence of captioned photographs inviting the reader to inspect the pictures for clues to the murderer's identity; Hitchcock cast the performers as themselves, such as Woolley, Doris Merrick and make-up man Guy Pearce, whom Hitchcock identified, in the last photo, as the murderer. The article was reprinted in Games Magazine in November/December 1980.